2023/05/29 Unite 3- Cooperation

Program update

At the start of Unite Three this week, I met my new tutor- Jasminka. So after a short introduction, I find my colleague Jiqiu has the same concept as my project. Therefore, we decided to cooperate with our intervention. It will host on 4th May, Sunday. After a short meeting, we will confirm further details before Thursday.

So for my personal project, I plan to develop the idea of a “temporary structure”. I want to have a certain space for future art therapy events. So I look back on my early research.

AntiRoom Pavilion:

https://sspaceboxofuncertainty.myblog.arts.ac.uk/2023/03/11/2023-03-11-complex-systems-collective-practices-non-human-and-human-relations/

World Tea Room:

https://chaosspaceboxofuncertainty.myblog.arts.ac.uk/2023/01/29/2023-01-22-inspiration-pierre-sernet/

The Balance Garden: (Idea of Edible gardens)

https://www.rhs.org.uk/shows-events/rhs-chelsea-flower-show/Gardens/2023/the-balance

Lesson on 23nd May-Tea Party

In this lesson, we summarise our project by telling a fairy tale, while using a variety of ingredients to represent the qualities needed for the project.

2023/05/12 Further Action- Combin the Eating Disorders and Art Therapy

After the first intervention finished. I finally know what’s the next step of my project, which focuses on the Positive Effect of Art Therapy on People. I attended a health advice appointment in the High Holborn Office on 4th May. The expert told me about the CPT therapy for eating disorders.

Cognitive processing therapy (CPT) is a manualized therapy used by clinicians to help people recover from posttraumatic stress disorder (PTSD) and related conditions. It includes elements of cognitive behavioral therapy (CBT) treatments, one of the most widely used evidence-based therapies. A typical 12-session run of CPT has proven effective in treating PTSD across a variety of populations, including combat veterans, sexual assault victims, and refugees. CPT can be provided in individual and group treatment formats and is considered one of the most effective treatments for PTSD.

The theory behind CPT conceptualizes PTSD as a disorder of non-recovery, in which a sufferer's beliefs about the causes and consequences of traumatic events produce strong negative emotions, which prevent accurate processing of the traumatic memory and the emotions resulting from the events. Because the emotions are often overwhelmingly negative and difficult to cope with, PTSD sufferers can block the natural recovery process by using avoidance of traumatic triggers as a strategy to function in day-to-day living. Unfortunately, this limits their opportunities to process the traumatic experience and gain a more adaptive understanding of it. CPT incorporates trauma-specific cognitive techniques to help individuals with PTSD more accurately appraise these "stuck points" and progress toward recovery.

CPT therapy encourages people to change the way they think about food from the depths of their consciousness, and this treatment is widely used in the UK. I have learned about this form of therapy from my previous experiences with interviewees treated in the UK.

In the last week before the presentation. I start to search for relevant references to art therapy, especially in the UK. We briefly discussed my self-art therapy experience when I had an eating disorder and my portrait workshop. She points out my project is for “recovering”. Her comment reminds me of my conceptual model of eating disorders that I made in “Box of Uncertainty.” The post link:

https://chaosspaceboxofuncertainty.myblog.arts.ac.uk/2023/01/30/2023-01-28-model-making/

So I want my workshop to be an “Incident” and a “bridge” for people surfing eating disorders. To be honest, I felt lost for a short time after the workshop finished. In that time, there have been two directions. One is art therapy for eating disorders, and the other is for mental health. Furtunly, my tutor David suggested I narrow the topic to eating disorders. But he asks me to look at the art therapy history in the UK. So I start to find relevant references and have academic support for my project.

Art therapy has a history in the UK dating back to the early twentieth century. During the First World War, many soldiers suffered physical and emotional trauma, many of whom could not be treated by traditional methods. At this time, doctors and nurses began to use art as a form of therapy to help soldiers relieve their pain and trauma.

By the mid-20th century, Art therapy began to gain more attention and popularity in the UK. in the 1940s, Art therapy was introduced into mental hospitals and used to treat patients suffering from mental illness. in 1964, the first dedicated Art therapy school in the UK - the Goldsmiths University offered Art therapy, one of the first universities in the world to offer a specialist course in Art therapy. Since then, Art therapy has gained increasing recognition and development in the UK.

In the 1980s, Art therapy was widely used in the UK in different areas of therapy, including mental health, medicine, social work and education. Art therapy is now a common form of therapy in the UK and is widely used to help people deal with and alleviate emotional and psychological problems, as well as to help support and guide them in their self-expression and creativity. 

I find the article “Art Therapy” done by David Edwards in the UAL liarbary.

David Edwards briefly mentions the history of art therapy in his article. He explains that art therapy had roots in the early 20th century when psychiatrists and psychoanalysts began to recognise the therapeutic potential of art-making for their patients. The first art therapy course was offered in the United States in the 1940s, and the first art therapy association, the American Art Therapy Association (AATA), was established in the 1960s.

Edwards also notes that art therapy has been influenced by various art movements, such as Surrealism and Expressionism, which emphasised the role of the unconscious mind and emotions in art-making. He also mentions the work of pioneers in the field, such as Margaret Naumburg and Edith Kramer, who developed early theories and techniques for art therapy.

Overall, while Edwards does not provide an in-depth history of art therapy in his article, he highlights some key moments and figures in its development.

In his article, Edwards provides an overview of art therapy as a form of psychotherapy that uses art-making to improve emotional, mental, and physical well-being. He explains how art therapy can be used to help people deal with various issues, such as trauma, addiction, depression, and anxiety.

Edwards also discusses the different approaches and techniques used in art therapy, such as person-centered art therapy, Gestalt art therapy, and mindfulness-based art therapy. He explains how each of these approaches can be tailored to meet the specific needs of individual clients.

Additionally, Edwards provides examples of how art therapy is used in different settings, including hospitals, schools, and prisons. He emphasizes the importance of a trained and licensed art therapist in conducting art therapy sessions, as well as the need for ethical and professional standards in the field.

Overall, Edwards’ article comprehensively introduces art therapy, its benefits, and its applications in various settings.

Back to my project, the final approach still follows the NLP logic. Neuro-Linguistic-Programming.

NLP diagram for the workshop
Neuro
Linguistic
Programming

Meanwhile, my colleague Arielle interview me for her project. It also makes me think more about my project.

Q: Can you first share about the time when you drew the two series of illustrations – “Shanghai Lockdown – Window” and “Flowers in Quarantine – Windowstill”?

A: "Flowers in Quarantine - Windows till" was created by me in March 2020 during the global Covid-19 pandemic. At the time, I was a third-year architecture student at the University of Sheffield. Unfortunately, a staff member at the School of Architecture had contracted Covid, resulting in the entire campus being locked down. At the same time, shops in Sheffield were gradually closing, and the UK government encouraged us to "stay at home". Due to flight tickets back to China were becoming increasingly expensive, and I needed to prepare for my final project, Thus I decided to stay in the UK until my graduation in July. So I started my first-ever quarantine life alone in a student apartment and drew the plants I used in my final project every day, pretending that the plants were my friends.
"Shanghai Lockdown - Window" was completed in March-April 2022, when the epidemic in Shanghai was severe, and the entire city was locked down, marking the second large-scale lockdown I have experienced. At the time, I had just quit my job as an architect and rented an apartment in an old residentional building in Shanghai with my friend, who was also my architecture classmate at the University of Sheffield. I had nothing to do in the room and didn't know what to do in the future, which was bewildering. Fortunately, I had my friends and kind neighbours to accompany me, so I started to use drawing to record my community life during the quarantine.

Q: As both series centred around the pandemic, how did the views from and from the windows inspire you? What were the feelings/thoughts you had in the process of creating those illustrations?

A: I think my mentality gradually changed during the "Flowers in Quarantine - Windows till" phase. I focused on self-care and mainly depicted my isolated life alone in the room. I rarely spoke except for buying groceries and attending online classes, and communication with friends was only through text messages. Although we sometimes watched movies together online, but most of the time, I was very lonely. Because I feared Covid, I rarely went out during this period and did not pay much attention to the world outside the window, only focusing on myself.
During the "Shanghai Lockdown - Window" period, everyone was very enthusiastic because I had friends and neighbours. My friend took me out for a walk and chatted with neighbours. We also organised a community music festival, and my friend and I listened to music and danced on the balcony. At the same time, I was no longer afraid of Covid, so my mentality was relatively relaxed during this period, and the elements in my drawings became richer. I began to look for my drawing style.

Q:I noticed that in “Flowers in Quarantine – Windowstill”, your window view was from inside, yet in “Shanghai Lockdown – Window”, the illustrations were a mix of being on the inside being on the outside of a window. Were there any differences in your observations and emotions in different positions?

A: I think I partially answered this question in the second one. During the quarantine in 2020, drawing was just a tiny part of my day because I was under a lot of pressure to complete my final project, so my drawings were rough and were just my records. In 2022, after two years of working in architecture, I became bored with my job. I realised I enjoyed drawing, so I spent more time thinking about colours and composition to make my drawings more interesting. At the same time, I also shared my artwork on social media accounts, hoping to help people who have had similar experiences as me. Overall, my drawings became more diverse because I interacted with more people.

To sum up, I have accomplished my whole process for “What-Why-How-What If” ( I think ). But, it is worth continuing after the project. My audiences enjoy the workshop and want to bring their friends to join it again. Meanwhile, I want to create more interactive games, some like “Oblique Strategies”, etc. I will join a qualified art therapy workshop on 19th May to experience how it works professionally.

Furthermore, I will set up a questionnaire to understand the public perception of art therapy.

I list potential essential factors that I will include in my program.

  1. A certain space
  2. A guidebook
  3. A game
  4. An activity
  5. An exhibition

Proposed Reading List

Useful Link of Eating Disorders

  1. Beat: https://www.beateatingdisorders.org.uk/get-information-and-support/
  2. Costin, C. (2000) The eating disorder sourcebook: A comprehensive guide to the treatments & prevention of eating disorders. Los Angeles, CA: Lowell House.
  3. Newman, E.L. (no date) Female body image in contemporary art: Dieting, eating disorders, self-harm, and fatness. Routledge.
  4. https://m.thepaper.cn/newsDetail_forward_18074198

Useful Link of Art Therapy in the UK

  1. British Association of Art Therapists: https://baat.org/ :
  2. London Art Therapy Centre: https://arttherapycentre.com/
  3. Adamson Collection: http://www.adamsoncollectiontrust.org/
  4. Backing Better Mental Health: https://maudsleycharity.org/case-studies/adamson-collection-offers-art-as-therapy/
  5. Art as Healing: Edward Adamson: http://www.adamsoncollectiontrust.org/wp-content/uploads/2021/01/2-2011.-DOF-Raw-Vision-for-EAF.pdf
  6. Edwards, D 2014, Art Therapy, SAGE Publications, Limited, London. Available from: ProQuest Ebook Central. https://ebookcentral.proquest.com/lib/ual/reader.action?docID=4714171

TO BE CONTINUED…

2023/05/08 The 1st Intervention happened!

Site Interoduction

After a day of rain on coronation day, I changed my workshop location to my friend’s home. Fortunately, occupations allow me to host the event there. Therefore, my art therapy workshop started at a private residence on 7th May at 2 PM. Due to the particularity of the site, the audience from fifteen reduces to nine people, including my reviewers from my early research, my colleagues from CSM, and my friends who live or study in the UK.

A large table with seating for 8 people in the lounge.
The site has a cosy and delight atmosphere.
I have prepared the painting materials.
Different styles precedents
Event posters and colour wheel

Activity Photos

At the start, I invited the audience to play a small game. I drew different colour bubbles on a piece of paper and asked them to use their understanding to define the emotion of colours. This game can help participants explore and express their emotions and can also help them understand the changes and reasons behind their emotions.

Most of them are not skilful painters, so I want to lead them to draw “emotion”, also called “drawing imagery”, Individuals begin to draw imagery, using elements such as colour, line, and shape to express their emotions and feelings. During the drawing process, individuals should aim to express themselves as freely and relaxed as possible without being overly concerned with artistic technique or appearance.

Different emotional bubbles
After the game, they start to draw the self-portrait.
I ask them, thinking about what the image looks like about 5 minutes before the start.
During drawing, the whole process takes 30 minutes. The drawing factors include themself, the last dishes they took, and emotional colours.
A little presentation for everyone after finished.
Share the food story, meanwhile, they also share the current situation, and life experiences,
After the first round, everyone sat in pairs, had 10 minutes chat based on their stories and understanding, and started to draw each other.
We can see a vast difference between the two paintings. In their partner’s eyes, the person looks more colourful, more soft with respect and love.
Everyone was surprise and loved the results.
They want to keep both painting.
And looking forward to the next session.
They feel relief and happier after the workshop.

Gallery

Arielle/CSM MA/ the left is “After”, and the right is “Before”. Pair with Abi.
Abi/Designer/ the left is “After”, and the right is “Before”. Pair with Arielle.
Ruth/Teaching Assistant/ the left is “After”, and the right is “Before”. Pair with Cleo.
Cleo/RCA MA/ the left is “After”, and the right is “Before”. Pair with Ruth.
Zoey/UAL MA/ the left is “Before”, and the right is “After”. Pair with Ye.
Ye/Blog Creative/ the left is “Before”, and the right is “After”. Pair with Zoey.
Ciara/UCL MA/ the left is “After”, and the right is “Before”. Pair with Amber.
Amber/Designer/ the left is “Before”, and the right is “After”. Pair with Ciara.
Leona/UAL MA/The painting is “Before” Leona left early because of a school assignment.

Me during the Workshop

Feedback

Abi: I really enjoyed the workshop and it would have been nice to have a theme for the second portrait session. Airelle and I discussed our favourite plants – hydrangeas – and our comfort food, and then put these elements into the painting.

Amber: This workshop was so much fun, I would like to take part in the next one. Maybe next time you could change the order a bit and have someone else draw a companion first and then yourself. The result could be very different!

Ruth: I enjoyed the event, and it would make it a bit smoother if next time you taught some basic drawing techniques first.

Cloe: I love these examples you have posted on the wall, they help us a lot, but you could look for more styles of portraits that would be better.

Ciara: I love art! This event helped me to free my brain from intensive exams and give it a rest. I’ll invite my friends back for this workshop next time!

In summary, everyone enjoyed the event and gave me positive comments, which I felt appreciated.

2023/05/05 Process of finding a site for my workshop

To find a suitable space for my studio. Over the past two weeks, I have organised a site visit myself. I visited the South Bank, Liverpool Street, Hyde Park & Kensington Gardens, several local community parks, and coffee shops during this time. I would like you to consider my intervention an art therapy workshop. The place has to be cheerful and quiet, with good ventilation and gentle light. At the same time, spring in the UK is a limited and valuable resource all year round. I, therefore, plan to arrange the workshop in the form of a picnic for the audience. The final location will be Hyde Park.

Southbank – National Theatre’s Terrace
Southbank – Southbank Center’s Terrace
Comments: Very good infrastructure, with outdoor seating, but in a commercial area, too many tourists and noise.
Southbank – Southbank Center’s Platform nearby bar area
Comments: Very good infrastructure, interesting interior design and with seating, but adjacent to the bar, noisy, obscure lighting, lack of privacy.
Liverpool Street- A landscape project behind the train station,
Comments: Relatively new landscaping with designer furniture and a beautiful setting. But close to the railway station and office buildings, with many passers-by, and subject to the weather.
Hyde Park- Princess Diana Memorial Fountain
Comments: My favourite public landscaping project, with abundant greenery, fresh air and open grounds, but a royal memorial, probably influenced by the coronation, with relatively strict regulations, patrolled by security guards and subject to weather factors.
Kensington Gardens
Comments: There is an abundance of greenery and fresh air, and the site is open, but it is a royal park with relatively strict rules and regulations that may be influenced by the coronation and subject to weather factors.
Serpentine North Gallery-Caffe, the extension project by Zaha Hadid Architect.
Serpentine North Gallery-Caffe, the extension project by Zaha Hadid Architect.
Comment: Well-designed interior with food, drinks and toilets, elegant light and background music. However, it is a commercial venue with visitors, and conducting workshops may result in eviction.

Besides, consider the uncertainty of weather. I made plan B, arrange the workshop in my friend’s home. It’s a townhouse with a bright, cosy living room full of plants and artwork. My friend is also my colleague at the Sheffield School of Architecture. She remodelled the house’s original structure, expanding the entire living room while retaining the style of the old house. It’s also an ideal space.

Friend’s home
Comment: Well-designed interior with food and drink and bathrooms, elegant light and privacy, but this is a private residence, and prior consent of the occupants is required.